Nigel Lythgoe, Co-Creator of Hit Series “So You Think You Can Dance,” Announces National Launch of the Dizzy Feet Foundation

Katie Holmes
NONPROFIT ORGANIZATION CREATED TO RAISE LEVEL OF DANCE
AND IMPROVE, EXPAND AND SUPPORT DANCE EDUCATION NATIONWIDE
Founding Members Include Adam Shankman, Carrie Ann Inaba and Katie Holmes
Los Angeles, CA (July 1, 2009) – Nigel Lythgoe announced today that he is teaming up with director Adam Shankman, “Dancing with the Stars” judge Carrie Ann Inaba and actress Katie Holmes to launch the Dizzy Feet Foundation, a foundation for the dance community that will provide scholarships and assistance to talented underserved youth to help them realize their dreams of becoming professional dancers and will also help elevate and standardize dance instruction nationwide.
The milestone 100th episode of “So You Think You Can Dance,” airing Thursday, July 23 (9:00-10:00 PM ET live/PT tape-delayed) on FOX, will feature a special performance by Dizzy Feet Foundation founding member Katie Holmes that will help introduce the foundation to the public. Directed and choreographed by Tyce Diorio in collaboration with director of photography Dion Beebe, Holmes’ highly anticipated performance will be an homage to Judy Garland and will feature Holmes dancing to and singing Garland’s classic, “Get Happy,” from the musical “Summer Stock.”
“I think it’s important for children to experience music and dance,” said Holmes. “Every child should have the opportunity to discover what it is they like and have access to the very best in that pursuit.”
Harnessing the power of the millions of viewers who watch “So You Think You Can Dance,” as well as the growing popularity of dance in the United States, the Dizzy Feet Foundation will create awareness about the positive impact that dance – and creative pursuits in general – can have on the growth and development of our nation’s youth.
The Dizzy Feet Foundation’s mission is threefold: (1) to provide scholarships and grants to talented dancers, choreographers and/or teachers working at or through accredited dance studios; (2) to establish national standards for dance education and an accreditation program for dance; (3) to develop, provide and support dance education programs for underserved children by working through and with community organizations.
The Dizzy Feet Foundation also aims to elevate and standardize the quality of dance instruction throughout the United States by offering accreditation and/or certification to dance schools and studios in most styles of dance, including ballroom, contemporary, ballet, tap, jazz and hip hop. Dizzy Feet Foundation’s Accreditation Program will set the gold standard of dance instruction in the United States and ensure that students can feel confident that they are receiving high-quality dance instruction aligned to a national standard.
“Directing and producing is what I do, but dancing is what I am. That’s why the foundation is so important to me,” noted founding member Adam Shankman. “Dizzy Feet will empower disadvantaged and at-risk students by giving them access to the highest quality arts education.”
Furthermore, Dizzy Feet Foundation founding members agree it is imperative that Los Angeles have a major dance academy.
“If we’re not going to have dance in our schools, we need to create additional opportunities to bring dance to our youth,” said founding member Carrie Ann Inaba. “And I think the Dizzy Feet Foundation will be doing exactly that.”
“Making ‘Idol Gives Back’ was a rewarding undertaking that changed my life forever,” explained Lythgoe. “It taught me to ‘give back.’ I have been a dancer, and involved in the dance world, for nearly 50 years – it’s my passion. I feel very grateful to be in a position where I can now give back to the dance community. Thanks to the huge support, enthusiasm and energy of Adam, Carrie Ann and Katie, as well as the rest of the board, it has finally become a reality.”
Since 1993, when legislators imposed revenue caps on public schools, school districts have been forced to make difficult and painful spending cuts. Typically, music and arts programs have been among the first to suffer severe blows. More than 15 years later, the decimation of music and arts programs continues.
“The financial crisis that the whole world is compromised by is affecting the arts big time,” said Dizzy Feet Foundation Steering Committee member Debbie Allen. “We’re on life support right now because it’s the first thing that gets slashed.”
The Dizzy Feet Foundation will have the benefit of an Honorary Board, on which 19 Entertainment CEO Simon Fuller, among others, will serve, as well as a Steering Committee consisting of some of the most illustrious names in the American dance and entertainment communities, including Paula Abdul, Jennifer Lopez, Miley Cyrus, Mia Michaels, Mary Murphy, Debbie Allen, Shane Sparks and Lil C. The affiliation of additional Steering Committee members will be confirmed through nominations by the founding members. Members of the Steering Committee are responsible for selecting Dizzy Feet Foundation scholarship recipients and following their journeys.
The Dizzy Feet Foundation will also sponsor, fund and/or offer community-based dance programs that will expose kids in low-income areas to the lifelong benefits of dance education.
Through www.dizzyfeetfoundation.org, supporters have the opportunity to follow their contribution, as well as track the progress of the foundation’s work and the scholarship recipients’ journeys.
In order to further its mission, Dizzy Feet accepts tax-deductible contributions from corporations, patrons, supporters and dance fans and raises additional funds through direct solicitations, fundraisers and other events. Dizzy Feet Foundation is a nonprofit, tax-exempt 501(c)(3) charitable organization (Federal Tax ID Number: 26-4501295).
NIGEL LYTHGOE is co-founder of Big Red 2 Entertainment, a newly formed company with CEO of 19 Entertainment, Simon Fuller. Lythgoe most recently served as president of 19 Television, and prior to his tenure there, worked at London Weekend Television, where he was Controller of Entertainment and Comedy. Lythgoe is co-creator and executive producer of the Emmy Award-winning series “So You Think You Can Dance.” His other executive producer/co-creator credits include seven seasons of “American Idol,” as well as “Superstars of Dance.” “American Idol” has been nominated for 39 Emmy Awards, and in 2007, received the prestigious Governors Award, the Television Academy’s highest honor, for “Idol Gives Back,” which he executive-produced. Lythgoe also served as producer and director of the acclaimed Céline Dion/Elvis Presley duet featured in the special.
ADAM SHANKMAN is an American film director, dancer, and choreographer. He has been a judge on “So You Think You Can Dance” since the show’s third season. He began his professional career in musical theater, and was a dancer in music videos for Paula Abdul and Janet Jackson. Shankman has directed several feature-length films, including “The Wedding Planner,” “Hairspray” and “Bedtime Stories.” His upcoming projects include “Sinbad,” “Bob: The Musical” and “Bye Bye Birdie.” In addition to directing, Shankman and his sister, Jennifer Gibgot, produce films through their shingle, Offspring Entertainment. He attended the Juilliard School.
CARRIE ANN INABA is an American dancer, veteran choreographer, actress and television host. She has appeared as one of three judges on “Dancing with the Stars,” the show that pairs celebrities with professional dancers as they train and then compete in front of a studio audience, as well as in “Dance Wars: Bruno vs. Carrie Ann,” where she choreographed and directed her team toward making their music and dance dreams come true. Inaba’s credits include touring with Madonna, appearing in films such as “Austin Powers III: Goldmember,” choreographing for top television shows, including “American Idol,” “TV Land Awards,” “Kids’ Choice Awards,” “Dance Fever” and “So You Think You Can Dance,” in addition to hosting the American Music Awards Red Carpet show. She began her career as one of the Fly Girls on “In Living Color,” a series that broke boundaries and brought Hip Hop into the mainstream. Inaba is currently launching the go-to online dance community, thedanceinsider.com, with her production company, IC Entertainment.
KATIE HOLMES has appeared in films ranging from the action blockbuster “Batman Begins” directed by Christopher Nolan to critically acclaimed art-house pictures, including Ang Lee’s “The Ice Storm” and Peter Hedges’ “Pieces of April.” Holmes is about to start filming “Don’t Be Afraid of the Dark.” The film will be produced by Guillermo del Toro, and Holmes will star opposite Guy Pearce. She most recently completed filming “The Extra Man” opposite Kevin Kline, and made her Broadway debut in Arthur Miller’s “All My Sons.” Holmes has worked with some of Hollywood’s most prominent and talented directors. Her credits include “Wonder Boys” directed by Curtis Hanson, “Thank You for Smoking” directed by Jason Reitman, “The Gift” directed by Sam Raimi, “Abandon” directed by Stephen Gaghan, “Go” directed by Doug Liman, “Phone Booth” directed by Joel Schumacher, “The Singing Detective” directed by Keith Gordon, “First Daughter” directed by Forest Whitaker, “Teaching Mrs. Tingle” directed by Kevin Williamson and “Disturbing Behavior” directed by David Nutter. Born and raised in Toledo, Ohio, Holmes began acting in high school theater productions. While attending a national modeling and talent convention in New York, Holmes was encouraged to come to Los Angeles for pilot season auditions. While in Los Angeles, she landed the role as Libbets Casey opposite Tobey Maguire and Sigourney Weaver in Lee’s award-winning drama “The Ice Storm.” A year later she was cast as Joey Potter on the TV series “Dawson’s Creek” opposite James Van Der Beek and Michelle Williams. The show quickly became one of the highest-rated series on television, averaging five million viewers per week throughout its six-season run.
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64 Responses to “Nigel Lythgoe, Co-Creator of Hit Series “So You Think You Can Dance,” Announces National Launch of the Dizzy Feet Foundation”
i don’t know who reads these comments or if i’m just leaving this for the world to see but i would really like to get ahold of someone who is involved with this organization. I want to nominate, or at least bring to your attention, one of my best friends. He is a PHENOMINAL dancer trained in ballet, tap, jazz, modern, contemporary, and hip hop. He is a freshman in highschool and i know that he could have an amazing career in dance if he was able. However, his financial situation is probably not going to allow him to do so. His mother has had to take up a second job (or third, i can’t remember) to pay for his dance classes and he works as a teacher and a teacher’s aid at our local studio to help out. If you could just see him dance you would know that he has something special inside of him. Everyone at our studio sees him as a prodegy and a true power house. Everyone who knows him knows he is a fantastic young dancer, an amazing choreographer and has a passion and love for dance that shows through every movement he makes. I wonder if this new foundation could help us help him. Please, come see for yourself. Everyone who watches him walks away with his name in their mouth. I am so proud of him and i hope that there is someone else out there who will see his potential and help him to achieve it. Thank you.
I served several years on the board of directors of the Kansas City Friends of Alvin Ailey, second home of world-renown Alvin Ailey American Dance Theater. During my tenure I was intimately involved with AileyCamp, which was founded by Alvin Ailey and the Kansas City Friends of Alvin Ailey in 1989 to help students with academic, social and domestic challenges—criteria that often determine a child’s risk of dropping out of school—but also welcome students who have little opportunity to develop their artistic interests. Now living in Los Angeles, it would be an honor to serve the Dizzy Feet Foundation in any capacity.
[...] Carrie Ann Inaba and actress Katie Holmes to launch the Dizzy Feet Foundation, a foundation … http://fox.com/blogs/dance/2009/07/01/nigel-lythgoe-so-you-think-you-can-dance-dizzy-feet-foundation... Daily [...]
How does someone go about applying for this scholarship?
How can I volunteer,
[...] So You Think You Can Dance – Nigel Lythgoe, Co-Creator of Hit …Los Angeles, CA (July 1, 2009) – Nigel Lythgoe announced today that he is teaming up with director Adam Shankman, “Dancing with the Stars” judge Carrie Ann Inaba and actress Katie Holmes to launch the Dizzy Feet Foundation, a foundation … Read more [...]
[...] one of the highest-rated series on television, averaging five million viewers per week … http://fox.com/blogs/dance/2009/07/01/nigel-lythgoe-so-you-think-you-can-dance-dizzy-feet-foundation... Daily [...]
What About Some BreakDance???
As a life long fan of So You Think You Can Dance, I am so overjoyed to hear about the Dizzy Feet Foundation. There are so many talented, untrained and semi-trained dancers out there who cannot afford what professional dance lessons have to offer. I am a parent of a dancer, and my daughter dances at a small studio in Northern California (DC Dance Center). Our studio’s main focus is to foster the love of dance in everyone that it touches as well as giving them a sense of self-esteem and confidence that will last throughout their lives. We have dancer’s of many different shapes, sizes, races, and abilities. And the owner and teacher’s make everyone feel that they can do anything no matter how big or small they may be with hard work and determination. The children love the studio so much, many do not want to leave and it often times becomes a second home for many of them. Since the economy has taken a major toll on everyone, some of the dancer’s have to drop out because the families cannot afford it. Even some of the older dancers even take on two jobs just to pay for the classes. That’s just how much they love dance! Thank you so much for developing this foundation so our children will be able to get master class lessons from professionals that most times would not be available to them. Please contact me if you have classes in the San Francisco Bay Area. God Bless You All!
This is one of the best ideas I’ve heard in awhile coming from such a great show (serious family time tv viewing)! I’m looking forward to hearing more!
Bernadette
After 30yrs of teaching dance I am moving my studio into our local cultural center to try to provide dance training to more local kids who cannot afford to study a few other local retired teachers are helping I was so psyched to here the dizzy feet announcement!
I think this is a wonderful thing for Nigel, Carrie and Katie to do.
My daughter belongs to a local nonprofit dance group, Charles County Dance Ensemble. We have just started getting our group organized and are looking for ways to help us fund the group. Our dancers not only compete, we also do alot of community based performances. I would love to know how we could apply for this.
Alot of our dancers are at risk of not being able to continue dancing due to the economic times.
Kudos to all involved with this project!!!
Excited for your new venture. Please let me know how students apply for scholarships and how I can get involved. Other dance teaching organizations that might be instrumental : Chicago National Assn. of Dance Master, Texas Assn. Teachers of Dance.
I would like to tell you about my daughter Gabriella, who has the passion and abilities to become a great dancer. She goes to a local studio since she was 7 years she is know 17(she also teaches there). She dances in her school in the perfroming arts classes. Every time she take the stage everyone tells me that they can’t take there eyes off her. They think she has potential. I don’t have the funds it takes for her to become this dancer. Her dream is to make it on the stage of So You Think You Can Dance. I am so greatful that you have started this Dizzy feet foundation for students that have the passion and love of dance. Thanks
The Citadel Dance and Music Center in Benton Harbor Michigan has been providing a similar service to the community for several years now.
Jacque D’Ambois provided much inspiration to me as a music educator and I am so glad to see that programs like this are getting National Attention. Thank you Mr. Lythgoe.
Is there a way programs such as yours can also be affiliated with yours. It would be a national colaboration and provide resourses for many more children.
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My granddaughter took her first dance lessons this past year (9 years old). She and her sister (7 years old) love to dance and wanted to be able to take lessons again next season. My son and daughter in law informed us that they don’t have the resources to be able to pay for lessons for them both this year. As much as we would love to help out, we are not able to either. We would like to find out information to apply for the Dizzy Feet Foundation scholarship. Thank you for any help you can provide.
Similarly, how can i be involved? Be it interning or volunteering?
Congratulations on your endeavor! Dance provides endless benefits to students in all areas of their life.
I have watched the show since day one and I really think is one of the best reality show on tv today. I commend you. It is so nice to see a program and people finally stepping up to help our youth, I am so tired of hearing all this helping hands to ohters in countries that hate us, it is refreshing to see this kind of program here in the good ol USA. THANK YOU THANK YOU THANK YOU. I am on a fixed income put i would love to be able to give a little each month to in my little way to help this program. Please let me know how I can do this
I feel privileged to be a part of the generation that gets to experience this new breath of fresh air in what will be considered nothing less than a dance revolution. How neat that from what started as a television sensation SO YOU THINK YOU CAN DANCE now stems an organization that is actually going to do something to get dancers dancing. The value of fostering a child with dance is invaluable; I cannot fathom my own childhood without it. I appreciate the classic ballet training that my parents worked hard to be able to provide for my sister and I growing up. It is an appreciation that extends into adulthood when through all the trial and tribulations, I am able to dance like it is nobody’s business. At the end of the day, dance is the glue that holds me together, be it ballet, jazz, modern, tap…
Every dancer deserves to dance and every child deserves a pass to access to the best training that is out there. For the brains behind the backing of this new organization we thank you!
And we want to know what volunteer opportunities there are and what we can do to help.
Okay so theres like a million of these things, but hey I am giving it a shot. Dance is something I love. I’ve been doing it in school for the past 4 years. I now have to stop dancing because of money problems. I’ve never been in a studio so I was wondering if this program is just for studio dancers only?
Why do they call it “Dance for your life” if the person who sucked (compared to the others) is spared?
It happenend both with the Dudes and the Dudettes.
The Dude they saved they openly criticized for his poor “dance for his life”, he lacks in self confidence and comes across, if you look at his body language, as a whining suck!
The Dudette they saved, well… they are all awesome and they “danced for their lives” and she (the blond) should have been gone based on her performance.
Don’t call it “Dance for your life” judges, if you are not going to base your decisions on what is performed in a pinch.
I love the show, but that took some of the credibility away from it for me.
Love the Dizzy feet initiative… had to comment though on tonights voting… Please feel free to move this to the appropriate thread when it becomes available.
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Why do they call it “Dance for your life” if the person who sucked (compared to the others) is spared?
It happenend both with the Dudes and the Dudettes.
The Dude they saved they openly criticized for his poor “dance for his life”, he lacks in self confidence and comes across, if you look at his body language, as a whining suck!
The Dudette they saved, well… they are all awesome and they “danced for their lives” and she (the blond) should have been gone based on her performance.
Don’t call it “Dance for your life” judges, if you are not going to base your decisions on what is performed in a pinch.
I love the show, but that took some of the credibility away from it for me.
I know TEXARTS in Austin Texas would very much like to be a part of this experience for our dancers.
At this point I think it’s fair to Nigel a liar. Just last week he said to Vitolio last week would be the LAST time they saved him, and if he ended up in the bottom 3 again, he would be gone. So what happens? Phillip has to dance for his life for the FIRST TIME this entire season, and Nigel probably couldn’t say his name fast enough. I’ve been disappointed in Mr. Lithgoe before (esp. after bashing Evan and Randi in what I felt was easily one of the top two performances of the night… Evan, IMO, has working for him the same thing Twitch had last year, and that’s the ability to really become an all around entertainer on the stage, putting acting, dancing, and his obviously contagious personality into everything he does–the same way Twitch did last year). But THIS time Nigel made no bones about it. The previous week he told Vitolio this would be the FINAL week he was saved by them. Obviously at this point we can just say right out loud Nigel is a big fat liar! Bill Clinton and G. Dubya have nothing on Nigel as a liar. Way to go Pinocchio!
you’ve probably lost more than just myself as a dedicated fan because of poor judging, “Dance for your life” huh, just call it “pick your favorite”. Speaking for myself I think everyone knows who should have went home after the 30 second “Dance for your Life”.
Have a nice season
Might as well forget about dancing for your life and just focus on becoming a favorite.
I feel so sorry for those who actually DID “DANCE FOR THEIR LIVES” to get booted out….
I have a suggestion for Dizzy Feet maybe one of the service that they could provide is a place on their site for teachers who already work with kids like the ones Dizzy Feet wants to serve to list their classes location and contact information…I know Dizzy Feet won’t be able to meet the entire need for dance for all he kids who want to dance but this would be a way to broaden the opportunities for the kids who don’t get direct help from Dizzy Feet
I would love to help with this worthy cause. How can I volunteer my time?
After hearing the announcement of The Dizzy Feet Foundation, I really would like to get more information. I own a studio in Grand Rapids, Michigan and would like to know how a studio like mine can become involved with your organization.
Thanks for your time.
Respectfully,
Jen
I finally found the best way to watch ,on tivo, so
i can fast forword the minute mary murphy opens her mouth
Where are these foundations? How could I apply? Where could I apply? Oh my gosh once i watched so you thinbk you can dance and one i found out about this orginization… I was bouncing off the walls! But i want to know so so much more i know that it has barely been released but I want to know so much more. Denver, Colorado is a very art-siie! place i would say, and to be able to have a Dizzy feet foundation in colorado in denver would be absolutly amazing i would love it so so so much! HA so please if you guys can please update me on any info!!!!! Love the shoo…! i have watched every season!
Dear Dizzy Feet Foundation:
I am a mom of a tiny dancer. Although it would be wonderful for her to receive a scholarship for dance, I am not writing in request for her. I live in a small, rural, country town in Pennsylvania. As with many small communities in our state and others the extracurricular activities at school are focused on sports. My tiny dancer started kindergarten this past year. She had been taking dance two nights a week at a studio approximately 30 mins outside of our town. At the beginning of the school year a young (right out of college) kindergarten teacher offered a dance program at our school. She only charged $10 a child to teach them throughout the entire school year. In the Spring, we had a show and the turn out was more than any chorus recital, soccer game, or other school event I have seen yet. I am writing this to let you know that there have been people dedicated to the art of dance before we heard of the DFF. This woman, who is no more than 23 years old, held 3 jobs and without getting paid and held classes two nights a week for 3 plus hours at a time. I admired her for her dedication to these children. I also offered my time and made sure each child had a costume for the show and sewn close to 90 costumes some under $20 a piece. Sad-to-say, the program will not be offered this year, but not for lack of wanting. I know this young woman has a gift to give these children, she not only pulled off a fantastic show for these children, but also got 5 young boys to attend dance which is a feet in itself for our town, and she gave a gift to these young children that if it would have cost more would not have been able to attend. I know if she was able to have her own studio in our town and that there was a way for these children to get scholarships to attend she would have at least 70% of the students from the school program attend her studio. I think it is wonderful what you are doing for dance. My daughter and I watch SYTYCD every week. Like I said, we are a small country town in PA, we may be small but these children’s dreams are big! I wish all of you many blessings as you deserve it for what you are instilling in our youth.
Inspired in PA,
Genavieve Moyer
DIZZY FEET can help us ALL! Your national focus, star studded board of directors, and sincere effort to expand dance are inspiring. Let us know how we can involve our organizations and efforts for the love of dance. Showcase the Celebration Team of National Dance Institute and Jacques’ teacher training. They embody excellence in all they do.
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i wrote something about it too. =]
http://video-convert-decode.blogspot.com/2009/07/dizzy-feet-foundation-video.html
Small community dance troupe in Portsmouth, Ohio. The facility is called Cirque D’Art. The teachers Pegi Wilkes and Trisha Schmidt work with disadvantaged kids and kids with disabilities. I think this group would be a wonderful group to recieve help from this foundation. Please look at the Program online under the link Cirque D’Art.
So thrilled to see the birth of this foundation. Dance has been a major part of my life for over 29 years. I now teach at a couple valley locations and think it has been way overdue to have some sort of dance teacher certification in this art. Some studios will place any 16 year old willing with any range of education, or lack there of, in an instructors position. In many cases students can be given inaccurate or destructive teachings and therefore risking their body to permanent damage. I would love to learn more about your plan for teacher/ studio certification and get involved. Keep up the fabulous work!! I adore the show!
Why the stop action during the dance routines. I stops the flow and the continuity of the dancing!!!
Why the stop action while the performers are dancing?
Wow.
When I heard this announcement I was very happy and relieved. To finally hear that there is a foundation that wants to help underserved dancers. Dancing is my PASSION and I’ve been performing in front of an audience since I was in the first grade! Even before I still enjoyed dancing. I was always involved with dance in school. Last year as a freshman in my high school, they didn’t have a dance team so I tried cheerleading. I also began to like cheer but then they started a dance team so I dropped cheer for dance(: I tryed out for the dance team and that was everything I wanted at the moment! And I made it to varsity!! It was so overwhelming in a good way because I felt like I accomplished something I really wanted! I’ve always wanted to take dance classes but sadly my parents haven’t been able to afford It ): My mother is in disability and my father is the only one in the house who works and pays all the house bills. I’m even starting to fill out job applications to start working just so I can pay my own classes. I’d really appreciate if you can update me on how to get a scholarship, or grant, etc. It would really mean a lot! This is the most wonderful idea I’ve heard by far! Thank You(:
There is another national organization committed to dance education that would be a great addition to Dizzy Feet. Dance Masters of America International. My very dear friend and co-owner of the studio in which I grew up is the natioanl president. As a member of this elite organization I can say without a doubt that it is truly dedicated to bringing dance to students everywhere. By joining forces amazing things could happen. SYTYCD has shown that dance is the universal language and can be spoken all over the world. SYTYCD is the pinnacle of dance and now with the Dizzy Feet Foundation dance will span the globe. I must add that I am so excited that there is a ballerina in the top 10. I would also love to be involved any way possible.
I Love your show sooo Much. I even try to record every episode and rewatch it over and over again. I even watch it in slow motion to learn a dance move. I have never gone to dance school and would have loved to have had the opportunity that you offer on dizzy feet foundation. I am now to old and my body is full of body aches. I still would love to learn some more moves at a slow pace. I wanted to know if you will ever put all your episodes on DVD? Will you come out with instruction dance DVD’s? Will there ever be classes for older and slower students? How spread out through the USA can you have classes? Have you thought about doing online classes? Would it even work? It would be great if they had a dance class in my hometown that would bring choreographers from different parts of the world to give lessons once a week. It would also be great if we could have unique dancers on tour through the entire world all the time. Or maybe a TV channel with nothing but dancing to beautiful music. I just hate hearing such beautiful music and having to watch silly music videos that don’t show the art that it carries. Please let me know of any way that I can learn to dance at my pace, in my town, and at your knowledge. Remember older generations have dreams too.
Thank god somebody is finally establishing a national standard and accreditation program for dance academies!!! Unfortunately, dance studios teaching improper technique are ubiquitous throughout the U.S. Some teachers may be well intentioned, but many just take parents money every month with no regard for the student(s). Individuals may be risking lifelong injuries if not trained well. Those students with dreams of dancing in a company or on a Broadway stage can be devastated to learn that their years of sacrifice were wasted. Thank you, thank you, thank you for your service to dance!!! Kim, BFA Modern Dance Pedagogy
I LOVE THIS SHOW! Let me continue by saying I am a very conservative person. I preface the following with that comment because I have teared up at the BRILLIANT performances by many of the contestants. Having Ellen on the show just ruined all of the advances this show has made. She is just AWFUL and does not belong. That is the only negative I have for this show. Lose her and return to the pinnacle you have achieved
While it’s wonderful to have opportunities for financial aid for talented students, the idea of setting up a national standard and accreditation is inherently wrongheaded. Even in as rigid a kind of dance as ballet, there is a tremendous amount of stylistic variation taught, which benefits students as they approach the vast range of repertory. In order to be truly effective, rather than an opportunity for charlatans to claim that they are qualified to teach, a national standard would have to commit to a specific style for each dance genre (i.e. Balanchine vs. RAD vs. Vaganova in ballet). This is the wrong approach to take in the United States, as professional opportunities in each genre are not limited to a specific style. Promotion of a specific style nationally is nothing more than imposition of one’s or a group’s personal aesthetics on a national audience.
Furthermore, certification of various kinds already exists–many ballet schools have Cecchetti-certified or RAD-certified teachers, and the number of adherents to ABT’s National Training Curriculum is already growing. The addition of a “Dizzy Feet” certification program to the mix is superfluous, and is a waste of dollars that many dance-related programs sorely need.
Sorry to say, but Katie Holmes’ routine, imo, was terrible. The worst lip-syncing I’ve ever heard/seen and anybody could’ve danced like her. If you call that dancing.
I would love 2 be a part of this I love 2 dance hip hop and im good at it can sum1 help me follow my dream….
I am a former dance and have watched every episode of the show. What ever happened to season 3 winner Sabra Johnson. She isn’t even in any of the clips? What’s going on? Was there a falling out?
Just curious,
M Daniel
Dear SYTUD,
I was so moved by the last dance done on your show last night. I am a volunteer with the American Cancer Society and have oppurtunies to talk to many surviviors. I am also invovled with an upcoming Relay for Life here in Pinole Ca. I had a favorite dance which you showed tonght on your 100th show which used to be the Hummingbird and the flower, but after seeing that dance last night, it is now my favorite. Please find a way to download the video of the dance to ACS website. I am going on record saying that this video will impact and touch many lives. Thank you for having the courage to do this type of dance. Sincerly Barbara Miles of Hercules California.
The honesty that the judges provide, week in and week out made me think that THAT level of integrity and honesty was genuine. WHY did you lead us to believe that Katie Holmes’ “performance” was going to be spectacular? You shouldn’t have lied and sold yourselves out.
I was also embarrassed for her. Her lip syncing was not in sync– totally not believable and distracting; and her ‘dancing’? IF “I” know that wasn’t dancing, how can you guys feel good about pretending that it was?
It would have been better had the show just stayed with the announcement of Katie making an appearance on behalf of the Dizzy Feet Foundation and NOT HYPED her talent. You have our hearts (before this, you did), and a heartfelt appearance might have been forgiveable. I’m amazed there were no ‘BOOS’ in the audience.
SOMEBODY needs to sit her down and TELL HER that she is NOT a dancer.
[...] The Dizzy Feet Foundation, established by Nigel Lythgoe and Adam Shankman of “So You Think You Can Dance”, Carrie Ann Inaba of “Dancing with the Stars” and Katie Holmes will have a threefold mission: “(1) to provide scholarships and grants to talented dancers, choreographers and/or teachers working at or through accredited dance studios; (2) to establish national standards for dance education and an accreditation program for dance; (3) to develop, provide and support dance education programs for underserved children by working through and with community organizations.” See SYTYCD blog. [...]
Dear So You Think You Can Dance,
I wish, as a first correspondence to you, I could say this letter is filled with excitement and gratitude of your 100th episode. Unfortunately, I think you’ve greatly disappointed me and many others in the content of this particular show.
As an avid fan of SYTYCD, I have watched dancers come and go, I have voted for my favourites repeatedly, and have enjoyed sharing opinions with fellow watchers on the choreography, the styles presented, and the constructive criticisms these dancers are privileged and deserving of. I too was a dancer in my days living in Mexico, but due to knee surgery, my dreams of joining the professional dance world slowly faded away. For me, watching this show and its diversity is what makes me still attend a class or two and return to my first love.
I now represent the Arts in an office setting and have on occasion taught dance to children 7-18 yrs of age. Because of the children’s involvement in the Arts, I’ve found they have a greater appreciation for dance, theatre, and music. Best of all, they have a greater appreciation for themselves. I applaud the Dizzy Feet foundation for it’s efforts of increasing dance education in the United States, and am excited to see the progress it makes through the years.
Mr. Lythgoe, Mr. Shankman, Ms. Inaba and Ms. Holmes should be commended for their work with the foundation as a group. The video first shown on SYTYCD earlier this season was a wonderful summary of the board’s mission. Mr. Lythgoe is one of the most knowledgeable and fascinating minds on the show and the dance world; I have always enjoyed listening to his insightful and gracious critiques during auditions and Top 20 eliminations. Mr. Shankman is as talented as he is charismatic and I believe is a true representation of the leadership SYTYCD has in its choreographers and judges. Though I have not watched Dancing with the Stars, I believe Ms. Inaba’s professional participation in dance on television certainly speaks volumes of her and the future of dance. Ms. Holmes is a sweet, charming, class-act with a list of television and film credits behind her along with a very high public profile. I do think she has a deal of talent in dance and music but I don’t believe it’s worthy of a feature performance on such a highly anticipated episode.
I felt you did a great injustice to your current season participants by almost re-enforcing the notion that if you already have fame and a few credits behind you, a donation can still get you the spotlight. I also think it was a bit rude and insulting to gather past season participants and only pan over them as you would any other audience member then feature only two cameo performances by Joshua and Mark and a celebrity who has only been involved publicly with the show for a season. I was looking forward to an evening of past choreography, updates on SYTYCD alumni, and perhaps a flashy number highlighting these talented new professionals. What I received fell short of my expectations and the hype behind the previews.
Personally, I would have loved to see a passing-of-the-torch performance from one SYTYCD generation to the next. See them do what they were born to do in a live medley of memorable group dances, feature a tiny moment of Katie Holmes’ “Come on Get Happy” then open the stage to this years final eight doing Mia Michaels’ Chorus Line choreography. If I can get one-hundred and ten children with no dance experience to do a 30 minute Broadway medley on a small stage in Indiana, Pennsylvania, I am certain SYTYCD can gather around eighty professional dancers on stage to do the same. Although I appreciated the montage of clips from the past, it doesn’t compare to the excitement a fan gets when seeing their favourites return on stage.
I was also disappointed in the fact that only two duets and one group number were featured as a trip down memory lane. Though fabulous pieces, I think the other season’s deserved a spot too. I’m sure with schedules a full reunion was difficult to cast, but obviously many made it out, as we saw them sitting in the audience; Cat Deeley naming them one-by-one. These people are what made SYTYCD - not Katie Holmes. Please consider the fans.
I am sad to see Jason and Janette as they were on my list to win it all. Best of luck to those remaining. I will be close to my phone next week to help move them through to the finale.
Thank you for your time and hope you will consider this letter for your 200th episode.
Best Regards,
Alexandra
Director of Promotions/Former Dancer/Fan/Speed-dialer
Charlotte, NC
I would love to find out how to get a scholarship for this. My daughter had to stop dance because we couldn’t afford it anymore.
See my husband is disabled and I have a heart condition. So with medications evry month. we Just couldn’t afford to let her keep dancing.
How DO You Know which studios are accredited Through The Dizzy Feet Foundation
In order to help support the Dizzy Feet Foundation, SYTYCD should have a contest with the choreographers each week. You could allow the audiance to vote on the best choreographer each week and have some kind of award for the one that receives the most votes at years end or the one who won the most weeks receive sometype of an award. The money raised from the telephone votes could then be used by the Dizzy Feet Foundation to acheive their goal.
Maybe Dancing with the stars could also figure out a way to do the same thing.
I’m only an inveterate contra-dancer, but have come to thoroughly enjoy both So You T. Y. C. Dance and American Idol. However, I think that the final selection format needs to be changed. Evidently, the appreciation of tits and buns, and a cute phys. count for more than talent. Might not the judges retain a weighted portion of the final vote? The teenagers thrill over the bare chests of some dancers, and the cuter singers. I find it sad to see such shallow criteria push down real talent (cf: Adam on Am. Idol this season, and losing our little salsa dancer on Dance). Please think of ways to make the final criteria appreciative of the talent, not the bodies. Thx.
I just heard the Nigel ws considering asking Paula Abdul to become one of the judges since she will not be continuing with #Idol.
DON’T DO IT…PLease,Please Please …DON’T DO IT. Maybe a guest judge once or twice but no more. I love the panel of judges we have and I just don’t want anything to interfere with the integrity of the show and overshadow the dancers. Love the idea of the Dizzy Feet Foundation.
I would love to know how to find out about this scholarship program as my girls may not be able to participate this year do to finances. The oldest has danced for 9 years the middle for 8 years and youngest has been for 2 years. Any help would be appreciated.
Hello. I am a mother of two college-age girls, who for the past thriteen years have studied dance. When Mallory and Ariel first started taking classes, they studied ballet. Their second year, they took on jazz and tap. Through the years, they have added lyrical, hip-hop and modern. We live in Northeast Pennsylvania. Mallory and Ariel were afforded a scholarship at a local studio. They were given a chance to learn a skill. What they have learned in the studio has helped them in life. Ariel and Mallory are dance minors. Ariel is at Eastern Univeristy. Mallory is a student at Northampton Community College. They both are great dancers and need to go to the next level. When they danced together, they made magic on the stage. They complimented each other. Mallory is the technical dancer and Ariel is the performer and loves the stage! I know what it is to struggle to get the girls to the dance studio. I wish that they could dance together again. There are so many talented dancers in NEPA. Even ones that don’t have the money to return to a studio! The last time they danced together was at Lincoln Center. When Ariel is home from school, she works at Red Robin, but she also takes workshops at the studio she atteded, The Dave Regancci Dance Studio. Ariel just finished a pointe wrokshop. She misses ballet and tap. Tap is not taught at Eastern University. Ariel would love to go into Philadelphia and take classes at a studio there. But unfortunatley, money is an issue. Ariel has a dream of dancing on Broadway and meeting Adam Shankman. It would be sooooooooooooo great if her dream can come true!
Ive gone to the website several times but how can one apply for these scholarships or can get a chance to audition to be one of the first ten dancers. Im really interesting in knowing the opportunities one can get with dizzfeetfoundation and how i can go bout to gettin involve. Im not sure who reads btu hopefullly my questions can get answered. I love to dance but due to our status and income is really hard, this is a phenominal idea and is a great opportunity for those passionate dancers that are ready to dance their lifes away just like me.
Hello,
I have been checking the site since it was announced in “So You Think You Can Dance” about the dance scholarships.
My daughter is a serious dancer; she is ten years old, dedicated as a professional dancer with excellent work ethics. She is currently training in all styles possible (ballet, tap, breakdance, step/pop and lock, jazz, hiphop, lyrical, contemporary, musical theater and gymnastics).
In addition, she was awarded a full scholarship for piano lessons for the year 2009-2010, half-scholarship in choir for the entire year, and ninety five percent scholarship in theater for the fall academy program.
Her scholarships are based on her extreme dedication, hard work, sportsmanship, and continuous progress in her learning process. She demonstrates worthiness of every penny invested in her.
She is a well-rounded girl who not only exceeds and performs well in her gifted acamic program, but also in all her extracurricular activities.
If anyone can let me know how I can apply for the DizzyFeet scholarship, I appreciate the information, greatly.
Jenny K. Pena
I attended the SYTYCD 2009 tour in St. Louis last night and was introduced to the Dizzy Feet Foundation for the first time. It is a fabulous idea and a very worthy endeavor. I’d like to suggest a fundraising idea: Have the dancers appear at the exits from the concert venues with baskets and ask people to donate $1, $5, $10, etc. to the Dizzy Feet Foundation. After watching the video about the foundation, I wanted to be able to make a donation right then and there, but no opportunity was given after the concert. There is no substitute for “striking while the iron is hot,” and I believe most people who attended would have given something.
[...] Sources: [1] Katie Holmes Teams Up With ‘So You Think You Can Dance’ For … [2] The Dizzy Feet Foundation Store [3] The Dizzy Feet Foundation : TomKatCrazy - Tom Cruise and … [4] Dizzy Feet Foundation [5] Dizzy Feet Foundation for Dance Announced by Nigel Lythgoe on … [6] So You Think You Can Dance - Nigel Lythgoe, Co-Creator of Hit … [...]